“her performances are characteristically thoughtful – too much so for my liking. Pires’s approach is more high Romantic than late Classical, constantly oscillating between loud and soft, fast and slow, with the sort of artful phrasing that, instead of suggesting the music’s architectural scale and emotional anguish, ends up limiting them. She is at her most persuasive in the central movements of D845 and the Scherzo of D960” --Financial Times, 9th February 2013 ***
“Pires has recorded Schubert's B flat major Sonata D960 before, as part of a series of Schubert discs for Erato in the mid-1990s, and in terms of timings the two performances are often strikingly similar...What remains unchanged is the patience with which Pires allows Schubert's music to unfold so naturally that nothing seems forced or contrived.” --The Guardian, 21st February 2013 ****
