“Marwood's tone is notably characteristically focused with a notable sweetness which is matched by Wallin...Boyd and his Scottish players set ideal tempi in outer movements, enabling Marwood to negotiate fearlessly the fairly awkward and largely middle-range-lying solo writing...Utterly winning and authoritative.” --Gramophone Magazine, November 2012
Gramophone Magazine Editor's Choice - November 2012
Gramophone Magazine Editor's Choice - November 2012
“[Marwood's] tone is sweetly centred, and avoids excessive contrasts between the upper and lower strings, so equalisation is the name of the game. So, too, is a certain chamber-scaled approach, with give-and-take with the orchestral wind principals...Marwood and Douglas Boyd keep the music on the go and bring out its felicitous colour” --MusicWeb International, December 2012“There's little Marwood can do to disguise the shortcomings of the solo writing [of the D minor concerto], or the repetitions of the finale, but he and the BBC Scottish Symphony under Douglas Boyd go at it with a great deal of enthusiasm, with the solo line very prominent in the sound picture.” --The Guardian, 29th August 2012 ***
“in a performance as strong and imaginative as this one by Anthony Marwood its impact is considerable. The sinew of the first movement, with its bold opening statement and toughness of inner workings, is contrasted with the mellow, reflective lyricism of the central slow one...There are firm Schumann fingerprints all over the score, and it fully merits the passionate advocacy that it receives here” --The Telegraph, 6th September 2012
“in a performance as strong and imaginative as this one by Anthony Marwood its impact is considerable. The sinew of the first movement, with its bold opening statement and toughness of inner workings, is contrasted with the mellow, reflective lyricism of the central slow one...There are firm Schumann fingerprints all over the score, and it fully merits the passionate advocacy that it receives here” --The Telegraph, 6th September 2012
